french-horn-tactics
Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙ
Table of Contents
Fahimtar Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙ
Harshe shine harshe marar ganuwa na muryar ƙaho na Faransa. Yana bayyana yadda aka fara, aka tsara, aka haɗa, kuma aka ƙare, wanda ke tasiri kai tsaye akan bayyanar, magana, da tasirin motsin zuciyar ka na wasan kwaikwayon. Ko kuna karanta wani rubutun ƙungiyar mawaƙa, yin waƙa ta hanyar waƙa, ko aiki ta hanyar nazarin fasaha, masanin magana yana da mahimmanci ga wasan ƙaho mai bayyanawa. Wannan jagorar yana bincika injiniya, salo, dabarun aiki, da fasahohi masu ci gaba waɗanda zasu taimaka muku samar da bayyanannu, abin dogaro, da kuma motsa jiki na kiɗa a duk rajista da matakan kuzari.
Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin Halin H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H
Ƙarƙashin ƙaho yana daidaitawa na goyon bayan numfashi, jijiyoyin lebe, da motsi na harshe. Harshe yana aiki azaman bawul wanda ya tsaya na ɗan lokaci sannan ya saki iska. Tabbatarwar harin ya dogara da daidaiton wannan sakin, saurin iska, da kwanciyar hankali na ƙofar. Ra'ayin da ba daidai ba shine cewa ƙirar magana game da harshe ne kawai; a zahiri, ya kamata kwararar iska ta kasance mai aiki da daidaito kafin harshen ya saki. Ba tare da isasshen saurin iska ba, aikin harshe zai haifar da rauni ko rashin hankali.
Idan ka fahimci yadda harshe yake sha'ani da iska da lebe, za ka iya ganewa da kuma gyara matsalolin da ke tattare da magana a hanya mai kyau. Alal misali, idan ka ji cewa ka yi magana da wani abu, za ka iya samun iska da ba ta da kyau.
Nau'in Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin
| Style | Notation | Character | Common Applications |
|---|---|---|---|
| Legato | Slur or no marking | Smooth, connected, minimal separation | Lyrical passages, slow movements, searching phrases |
| Staccato | Dot above/below note | Short, detached, light | Dance-like rhythms, light orchestral textures, crisp motifs |
| Marcato | Wedge or accent | Strong, defined, weighted attack | Heroic or dramatic gestures, accents in tutti sections |
| Tenuto | Dash above/below note | Full value, slight emphasis | Sustaining a line, making certain notes stand out without accent |
| Slurred | Curved line over notes | No tongue between notes, only first note tongued | Phrase shaping, smooth stepwise motion, avoiding harshness |
Kowane salon yana buƙatar canje-canje masu mahimmanci a cikin sanya harshe, matsin lamba, da saurin iska. Don staccato, sauƙi, saurin harshen da sauri, mai saurin iska mai sauri ya fi dacewa. Don marcato, harshen da ya fi ƙarfi tare da ƙarfi, iska mai ƙarfi yana haifar da tasirin da ake so. Legato yana buƙatar taɓa harshe mai laushi sosai ƙalla ya katse iska da kyakkyawar haɗi ta numfashi tsakanin sautunan.
Ƙididdiga na Ƙarshe don Ƙaddamar da Bayani
1. Ka San Yadda Za Ka Yi Magana da Harshenka
Ƙarshen harshe ya kamata ya tuntuɓi yankin da ke sama da hakoran gaba, wanda aka sani da reed spot (yanayin da masu wasan clarinet ke amfani da shi). Harshi tee ko dee yawanci yana haifar da gaba mafi kyau, ƙayyadaddun magana akan ƙahon. Guji amfani da too ko tah sai dai idan kuna buƙatar duhu, murya mai rufewa don ƙananan ko taushi. Harshe ya kamata ya taɓa ƙarancin magana, ba hakora ba, kuma ba bakin bakin ba. Gwada da syllables daban-daban a gaban madubi don lura da motsin harshenka.
Matsayi na gaba na harshe yana inganta sauri, mafi tsabta harin saboda harshe yana da ɗan nisa don tafiya. Matsayi mafi baya (kamar kuh) an tanada shi don yin magana sau biyu da sau uku amma yana iya haifar da sautin da ya fi kyau a cikin magana ɗaya.
2. Ka Fara Da Sauraron Jirgin Sama, Bayan haka Ka Yi amfani da Harshenka
Daya daga cikin ingantattun motsa jiki don tsabtace magana shine fara rubutu ta amfani da harshen iska kawai sannan a hankali a gabatar da harshe yayin da yake riƙe da wannan tallafin iska. Wannan yana horar da ku don busawa ta cikin sakin harshe. Matsalolin magana da yawa sun samo asali ne daga harshe yana aiki azaman toshe don rafin iska ko jinkiri. Yi aiki da dogon sautunan a kan shimfidar wuri mai dadi, fara kowane sautin ta hanyar fara iska sannan kuma a hankali a yi magana bayan iska ta riga ta motsa. Sakamakon ya fi zagaye, ya fi mayar da hankali ga kai hari.
3. Ka Kasance da Harshe Mai Sauƙi
Dole ne harshenku ya kasance mai sauƙi don sarrafa maganganu daban-daban, musamman a cikin saurin wucewa. Yi amfani da harshen a kan siffofin murya daban-daban (ee, ay, ah, oh, oo) yayin kunna sautin ci gaba. Ka lura da yadda harshen ke motsawa gaba da baya, da yadda sautin ya canza. Don bayyanar, a gaba a gaba a gaba kamar dee yawanci ya fi kyau, amma don ƙananan sautin dah zai iya taimakawa. Haɗa harshen ya juya daga ƙahon: tee-tee-kah, dee-gah-dee-gah, kah-tip-of-tongue. Wannan yana gina hanyoyin jijiyoyin da ke fassara zuwa kayan aiki.
4. Ka Yi Amfani da Metronome a Kan Addini
Saurin magana da magana yana buƙatar daidaitaccen lokaci tsakanin harshe da bugun jini. Saita metronome zuwa jinkirin gudu (60 BPM) kuma yi aiki da harshen kwata-kwata, sannan na takwas, sannan na goma sha shida a kan saiti ɗaya. Mai da hankali kan daidaitattun tsawon lokaci tsakanin hare-hare, ba saurin ba. Ƙara saiti kawai lokacin da kowane sautin yayi magana da kyau kuma aikin harshe ya ji da sauƙi. Wannan hanyar da aka yi ta hana hanzari da gina abin dogaro mai ƙarfi.
5. Ka Yi Koyi da Yadda Ake Yin Magana a Dukan Littattafai
A cikin ƙananan rajista, lebe suna da sassaucin ra'ayi kuma iska tana da jinkiri; harshe dole ne ya yi aiki a hankali don kauce wa karkatar da sauti. A cikin babban rajista, lebe suna da wuya kuma iska tana da sauri; harshe yana buƙatar ƙayyadaddun, hanzari taɓawa don kauce wa ƙwanƙwasa ƙarancin. Yi amfani da sikelin da arpeggios ta amfani da tsarin haɗin kai iri ɗaya a cikin hawa da sauka, lura da inda ake buƙatar daidaitawa. Alal misali, motsa jiki na staccato a cikin rijista na tsakiya na iya buƙatar harshen da ya ɗan taushi a cikin babban zangon don kauce wa busawa.
Ƙara Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙ
Don saurin wucewa a cikin motsi na al'ada, yin magana ɗaya bazai isa ba. Harsuna biyu da uku suna ba ka damar yin magana da sauri ta amfani da syllables masu juyawa, yawanci tee-kah (biyu) ko tee-kah-tee/tee-tah-kah (sau uku). Maɓalli shine yin sauti na syllables kah kamar yadda yake da tsabta da kuma daidai kamar tee. Yi aiki a hankali a kan sautin guda: tee-kah-tee-kah tare da metronome a 50 BPM, a hankali yana ƙaruwa zuwa 120 BPM ko sama.
Wani kuskure na yau da kullum shine amfani da kah kawai don rauni, yana haifar da sauti mara kyau. Maimakon haka, yi aiki akan yin magana da kah daidai a cikin aikin jinkiri, sannan ka sassauta shi yayin da saurin ya karu. Yawancin masu wasan ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon
Harsunan harshe guda uku suna da amfani musamman ga sassan ƙaho a cikin 6/8, 9/8, ko 12/8 lokaci, wanda ya zama ruwan dare a cikin wallafe-wallafen kida (misali, mataki na uku na Symphony No. 5). Yin amfani da waɗannan sautunan a kan sautin guda ɗaya, sa'an nan kuma a kan sikelin biyu, zai shirya ka don ainihin yanayin kiɗa.
Hema: Tushen Kowane Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar Hanyar H
Babu wani haɗin gwiwa da zai iya zama mai tsabta ba tare da cikakken numfashi mai aiki ba. Kafin kowane bayanin da aka yi da harshe, dole ne ka ɗauki numfashi wanda ya cika huhu gaba ɗaya kuma ya kafa diaphragm don tallafawa iska. numfashi mai zurfi yana haifar da rauni da bugun jini. Yi amfani da numfashin sigh: numfashin ta kusurwoyin bakinka, jin gashin gashin yana faɗaɗa gefe, sannan ka numfasa a hankali akan murmushi (ssss). Sa'an nan kuma ƙara ƙaho: kunna dogon sautin da wannan numfashin, sannan ka fara yin magana. Za ka lura cewa numfashin da aka tallafawa sosai yana haifar da ci gaba mai yawa, mai sautin kai.
A cikin matakai tare da maimaita maganganun harshe da yawa (misali, sanannen ƙaho sol a Strauss s Don Juan ), dole ne ku daidaita iska don harshe ba ya ƙare da iska. Yi aiki da wasa da matakan huɗu na maimaitawa na takwas a cikin numfashi ɗaya, kiyaye maganganun daidai daga farkon sautin zuwa na ƙarshe. Sannu a hankali ƙara tsawon lokaci. Wannan yana haɓaka jimiri kuma yana guje wa haɗarin haɗuwa da ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa ƙwanƙwasa.
Ayyukan Ƙwarewa don Ƙarfafa Ƙarfafa Ƙarfafawa
Ga wasu ayyuka guda biyar da za ka yi a yau da kullum: Ka riƙa yin motsa jiki na minti 5 zuwa 10, ka mai da hankali ga inganci maimakon yawa.
- ]Tone mai tsawo tare da bugun harshe: ] Yi wasa da G na tsakiya (wanda aka rubuta) azaman ƙarar da aka riƙe. Bayan kafa sautin da ya dace, yare ya zama ƙarami (misali, ƙarar takwas na takwas) yayin da yake riƙe da sautin da ƙarfin hali. Kiyaye harshen haske da iska. Maimaita akan F, E, D, C, da B-flat.
- FLT:0 Scale-Octave Scale tare da Mixed Articulations: Play a C babban sikelin hawa da sauka ta amfani da raba articulations: duk legato slurred, duk staccato, sa'an nan kuma biyu slurred + biyu tongueed. Ƙara tempo a hankali.
- FLT:0]] Interval Articulation Drill: Zaɓi wani lokaci (misali, na biyar) kuma yi magana da shi a kan sautunan biyu (CG) akai-akai, mai da hankali kan sautin daidai da harshe mai tsabta don duka sautunan. Sa'an nan kuma canza lokacin (na uku, na shida, octave). Wannan yana kwaikwayon tsalle-tsalle na kiɗa na gaske inda magana dole ne ta kasance daidai duk da nesa mai nisa.
- A kan wani wuri mai dadi, yi amfani da tee-kah-tee-kah a cikin ƙungiyoyi na hudu na goma sha shida a ƙimar kwata = 60.
- FLT:0]] Nazarin Maganganun Maganganu na Orchestral: Zaɓi sanannen rubutun ƙaho wanda ke da ƙalubalen ƙira (misali, buɗewa na Beethoven's Symphony No. 7, motsi na uku; ko ƙaho solo a cikin Symphony No. 5, motsi na biyu na Tchaikovsky). Keɓe ƙirar ƙira kuma yi musu aiki a kan sautin guda ɗaya, sannan tare da ainihin sautunan da sautin.
Matsaloli da Za a Iya Bi da Su
- Flattered, unfocused hare-hare: Sau da yawa ana haifar da harshe tuntuɓar bakin ko hakora. Magani: Yi aiki da fensir ko yatsanka sanya a kan tsiri don jin wurin da harshen yake daidai. Sake horar da harshe don tuntuɓar wuya kawai.
- Kyakkyawan magana, tilasta magana: Sakamakon matsin lamba da yawa da isasshen iska. Magani: Yi wasa da motsa jiki mai laushi (pian) mai sauƙi, mai da hankali kan mai laushi dee wanda ba zai iya katse iska ba. Bada iska damar samar da sauti, ba harshe ba.
- Rashin iya magana da sauri: Wannan na iya haifar da jinkirin harshe ko rashin daidaitawa tsakanin harshe da numfashi. Magani: Yi aiki da kayan aiki: latsa harshe a kan tabo na reed kuma saki da sauri, kwaikwayon motsi yayin numfashi cikin sautin. Hakanan, gwada saurin motsa jiki na harshe guda ɗaya a kan wasa ɗaya tare da metronome, farawa a 80 BPM kuma yana hawa da 2 BPM a kowane zaman.
- Bambance-bambance a cikin rubutun tsakanin rajista: A cikin babban rajista, yi amfani da rubutun gaba (dee ko tee) tare da tsawo, saurin iska. Yi amfani da arpeggios musamman don magance waɗannan matsanancin.
- Gajiya bayan dogon matakai na harshe: Yawancin lokaci alama ce ta yin magana da ƙarfi ko riƙe tashin hankali a cikin harshe, jaws, ko wuya. Magani: Rage ƙarar kuma yi dogon matakai a p ko mp. Mayar da hankali kan kwanciyar hankali (hannuwa kaɗan a waje) da kuma jin harshen floating gaba da baya maimakon ƙulla.
Magana Mai Kyau: Yadda Za a Rayar da Kiɗa
Once the technical foundation is secured, articulation becomes a means of expression. Varying the length, weight, and speed of the tongue dramatically changes the character of a phrase. A slightly longer, softer tongue creates a gentle, singing quality; a short, crisp stroke adds sparkle. Listen to recordings of legendary horn players such as Dennis Brain, Barry Tuckwell, or Dale Clevenger and analyze their articulationKa lura da yadda suke amfani da harshen da ya fi sauƙi don sassan legato da kuma harshen da ya fi ma'ana don sassan marcato.
Ka yi gwaji tare da wannan magana ta kiɗa da aka buga tare da nau'o'in magana daban-daban: ka yi wasa da shi duka legato, sa'an nan kuma duk staccato, sa'an nan kuma tare da karin magana kawai a kan bugun farko, sa'an nan kuma tare da tenuto a kan mafi girma. Ji yadda kowane juyi ya canza abun ciki na motsin rai. Wannan bambancin da ke da hankali yana haɓaka nau'in magana da kuma hana magana daga zama na inji.
Har ila yau, la'akari da salon tarihi: magana a cikin kiɗa na Baroque (misali, ɗakin mawaƙa na Rameau ko waƙar Telemann) ya kamata ya kasance mai sauƙi kuma ya fi girma fiye da a cikin kiɗa na Romantic. A Mozart, magana ya kamata ya kasance mai tsabta, mai ladabi, kuma ya rabu da shi a hankali (musamman a cikin siffofin bas na Alberti). A Strauss ko Mahler, magana na iya zama mafi faɗi da kuma mummunan aiki.
Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙ
Wasu daga cikin waɗannan rubutun suna da kyau sosai, kuma suna da kyau sosai.
- ]Mozart: Horn Concerto No. 2, mataki na uku (Rondo) ] yana buƙatar tsabta, haske staccato tare da madaidaicin sautin. Yi maimaita sautin takwas a kusa da 120 BPM tare da harshe mai gaba.
- Beethoven: Symphony No. 7, mataki na uku ƙaho soli yana da sautin da ya kamata a bayyana a fili, tare da girmamawa a farkon sautin kowane rukuni.
- Strauss: A cikin Heldenleben ] ] kiran ƙaho na buɗewa yana buƙatar kyakkyawar kai hari (marcato) tare da cikakken iska mai sauri da harshe mai ƙarfi.
- Tchaikovsky: Symphony No. 5, mataki na biyu
Yin amfani da waɗannan rubutun da kuma yin amfani da su a hanyar da ta dace zai sa ka yi amfani da dabarun da kake amfani da su.
Kayan Aiki da Ƙarin Karatu
Don ka ƙara fahimtar yadda ake magana a kan ƙaho, ka bincika waɗannan albarkatun:
- International Horn Society (IHS) yana ba da labarai, taron tattaunawa, da kuma wallafe-wallafen da aka yi nazari akan fasahar ƙaho, gami da magana.
- Hornsound: Articular Articles (FTL: 1) tarin shafukan yanar gizo da bidiyo masu amfani daga masu wasan ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon ƙwallon
- FLT: 0 Wikipedia: French Horn yana ba da cikakken bayani game da tarihin kayan aiki da kuma inji.
- The Art of Horn Playing (FIT: 1) na Philip Farkas, littafi ne na yau da kullun wanda ya shafi dukkan fannoni na fasahar ƙaho, gami da babban babi kan magana.
- Aikin Aiki a kan Wasa da Kankara ta Faransa ta Barry Tuckwell jagora mai mahimmanci tare da takamaiman motsa jiki na magana da Tuckwell ya yi amfani da shi a koyarwarsa.
Ƙarshen
Maganin magana na harshen Faransanci ƙwarewa ce mai yawa wanda ke haɗuwa da daidaito na jiki, sarrafa numfashi, da kuma fahimtar kiɗa. Ta hanyar haɓaka daidaitaccen wurin harshenka, daidaitawa tare da iska mai ɗorewa, da kuma yin aiki da nau'ikan magana daban-daban a cikin rajista da sautin, zaku iya cimma daidaito da bayyanawa a cikin kowane bayanin da kuka kunna. Tafiya daga mummunan hari zuwa tsabta, magana mai raɗaɗi tana da hankali, amma kowane aikin tunani yana gina hanyoyin jijiyoyi da tsokoki don sarrafawa. Saurari da kyau ga kanka da manyan, gwaji tare da syllables da salo, kuma tuna cewa magana a ƙarshe bawa ne na kiɗa. Tare da daidaito, mai hankali, ƙirarku za ta yi magana a fili da kyau a kowane mahallin.