Table of Contents

Tarihin Juyin Halitta na Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙ

Shekarar da ta gabata ta shaida canjin canji a cikin wasan kwaikwayo na tagulla, yana motsawa daga rubutun diatonic da rubutu na rubutu zuwa ga tsarin sautin da hanyoyin samar da sauti waɗanda za su yi kama da abin da ba za a iya tsammani ga masu kunnawa na farkon 1900s ba. Wannan canjin bai faru ba cikin dare. Ya fito ne daga haɗuwa da wasu ƙarfi: raguwar sautin a cikin kayan gargajiya, tasirin al'adun kiɗa na ba na Yammacin Turai, haɓakar jazz da halayyar sa na haɓaka, da kuma ƙaruwa mai girma na masu yin aiki don haɗin kai tsaye tare da mawaƙa wajen haɓaka sabbin sautunan.

Kwanan kayan kida na tagulla, musamman ƙaho na halitta da ƙahoni ba tare da bawul ba, sun iyakance a cikin sautunan da zasu iya samarwa, dangane da jerin jituwa. Kaddamarwa da yaduwar amfani da bawul a cikin karni na 19 sun faɗaɗa damar chromatic na kayan kida na tagulla, amma batun da ke ƙarƙashin yanayin daidai ya kasance ba a ƙalubalanci shi a cikin kiɗan fasaha na Yammacin Turai. Ya ɗauki aikin majagaba na mawaƙa kamar Charles Ives, Harry Partch, da daga baya, György Ligeti da Luciano Berio, don fara tambayar ikon tsarin sautin 12 da bincika yiwuwar sautin da ke tsakanin ɓarkewar keyboard piano.

A yau, amfani da microtones da kuma fasahohin da aka faɗaɗa ba kawai wani abu ne mai ban sha'awa ba ne amma wani muhimmin bangare ne na ilimin koyar da karafa da wasan kwaikwayon zamani. Conservatories yanzu suna ba da darussan fasaha na zamani, kuma manyan orchestras suna ba da umarnin aiki wanda ke kalubalanci 'yan wasa su kai bayan iyakokin gargajiya. Wannan labarin yana nazarin tushen fasaha, aikace-aikacen rukuni, da dabarun aiki don sarrafa waɗannan hanyoyin ci gaba.

Tsarin Microtonal da kayan aikin tagulla

Waƙar microtonal tana amfani da ƙananan lokaci fiye da na yau da kullun. Duk da yake kalmar "microtone" na iya ba da shawarar ƙwarewa sosai ko ƙwarewa, yawancin al'adun kiɗa a duniya ciki har da kiɗa na gargajiya na Indiya, gamelan na Indonesia, da al'adun maqam na Larabawa sun yi amfani da lokacin microtonal na ƙarni da yawa. A cikin yanayin wasan mawaƙa na zamani, microtones suna ba da hanya zuwa ga harshe mai wadataccen jituwa, ƙarin ma'anar waƙa, da kuma zurfin hulɗa da ayyukan kiɗa na duniya.

Kalubale ga masu wasa da tagulla ya kasance cewa an tsara kayan aikin tagulla a kusa da jerin harmonics na halitta da tsarin yanayi iri ɗaya na 12 na sautin. Samun sautunan waje da wannan tsarin yana buƙatar sarrafawa da gangan na kayan aikin. Duk da haka, kayan aikin tagulla suna da fa'ida mai ban sha'awa akan kayan aikin sautin sautin kamar piano: ana iya lankwasawa, zamewa, da daidaitawa a cikin lokaci na ainihi ta hanyar canje-canje a cikin ƙofar, saurin iska, da, inda ya dace, zamewa ko matsayi na bawul.

Hanyoyin fasaha don samar da microtones

Akwai hanyoyi da dama da aka kafa don cimma daidaito na microtonal a kan kayan aikin tagulla. Kowace hanya tana buƙatar horo mai mahimmanci da kuma kunne mai kyau, amma dukansu suna samuwa ga 'yan wasa waɗanda ke kusanci su a hankali.

Gyara da Aka Yi Bisa Slide

Trombone shine wataƙila kayan aikin tagulla mafi dacewa don kunna microtonal. Saboda slide yana ba da damar canjin sautin ci gaba, mai trombonist na iya sanya slide a kowane wuri a tsawonsa, yana samar da madaidaicin bakan sautin. Masu rikodin rubutu don trombone galibi suna lura da murabba'in murabba'i ko wasu karkatar microtonal ta hanyar nuna matsayin slide dan kadan mai kaifi ko lebur dangane da matsayin misali bakwai. Babban kalubale shine haɓaka ƙwaƙwalwar ƙwaƙwalwar tsoka da jin magana don sake buga waɗannan matsayi masu raguwa a cikin wasan kwaikwayon ba tare da wuraren tunani na gani ba.

Hanyoyi Masu Amfani da Valve

Don ƙaho, ƙahoni, da tubas, tsarin bawul yana gabatar da tsayin bututu na ɓoye, amma sauƙin microtonal har yanzu ana iya cimma shi ta hanyoyi da yawa. Fingerings na madadin suna amfani da gaskiyar cewa ana iya samar da wasu ƙwanƙwasa a wurare da yawa akan jerin jituwa; ta hanyar zaɓar yatsan da ke amfani da wani ɓangare daban, mai kunnawa zai iya canza tsakiyar filin. Bugu da ƙari, ɓarnatar da bawul na ɓangare matsin lamba a cikin rabin hanya ko ɓangare yana haifar da iska mai rikice-rikice wanda ke rage filin da adadin da ba za a iya tsammani ba amma ana iya sarrafawa. Masu ƙwarewa na iya amfani da wannan fasaha don lankwasa ƙwanƙwasa zuwa ƙasa da kwata ɗaya ko fiye.

Kula da Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙ

Hanyar mafi mahimmanci don karkatar da microtonal a kan kowane kayan aikin lasifika shine daidaitaccen ƙugiya. Ta hanyar daidaitawa da tashin hankali na lebe, matsayin jaws, da kuma siffar kwarin baki, mai kunnawa zai iya lankwasa sautunan sama ko ƙasa a cikin ƙananan tazara. Wannan ita ce wannan fasaha da masu kunna jazz mai amfani da su don sautunan blue da scoops, amma ana amfani da shi da ƙwarewa don cimma takamaiman maƙasudin microtonal. Yin aiki na yau da kullun tare da drone da tuner wanda ke nuna cents (rundaruruwan ɗari na semitone) yana da mahimmanci don haɓaka wannan ƙwarewar.

Ƙididdigar Ƙididdigar Ƙididdiga don Microtones

Babu tsarin da aka yarda da shi a duniya don rubuta microtones, wanda zai iya haifar da rikicewa ga masu yin wasan kwaikwayo. Duk da haka, an sami al'adu da yawa. Tsarin da ya fi dacewa yana amfani da haɗari tare da siffofi masu gyara: rabin kaifi (a alamun kaifi tare da layi ɗaya kawai) yana nuna alamar kwata-kwata; rabin lebur (a alamun lebur tare da raguwar ƙugiya) yana nuna kwata-kwata. Hakanan ana nuna alamun uku da kwata-kwata da kuma kwata-kwata, yawanci ana nuna su ta hanyar haɗin alamomi. Wasu mawaƙa, musamman waɗanda ke aiki a cikin tsarin intonation kawai, suna amfani da alamun azurfa sama da ma'aikaci don nuna saurin saurin saurin. Sanin da akalla tsarin rubutu biyu yana da kyau ga kowane mai kunnawa da ke aiki a cikin kundin mawaƙa na zamani.

Ƙarfafawa: Ƙarfafa Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙ

Ƙarfafawa na fasaha ya ƙunshi kowane hanyar samar da sauti wanda ya faɗi a waje da tsammanin al'ada na samar da sauti, magana, da magana. Duk da yake kalmar "ƙara" na iya nufin ƙaura daga al'ada, yawancin waɗannan fasahohin suna da zurfin tushe a cikin kiɗan jama'a, jazz, da kuma aikin gwaji.

Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙ

Multiphonics samar da sautuna biyu ko fiye a lokaci guda yana daya daga cikin hanyoyin da aka fi dacewa da masu wasa na tagulla. Ana samun sa ta hanyar raira waƙa yayin wasa da wani ta hanyar kayan aiki. Hadin kai tsakanin sautunan da aka rera da sautunan da aka buga yana haifar da ƙididdiga da bambance-bambance, yana samar da rikitarwa, mai kama da sauti wanda zai iya kasancewa daga ethereal zuwa dissonant.

Masanin Multiphonics yana buƙatar 'yanci tsakanin kayan aikin murya da bakin. 'Yan wasa yawanci suna farawa da yin sauti mai ɗorewa yayin wasa a cikin sauti, sannan a hankali suna gabatar da ƙaramin lokaci (kamar babban na biyu) kafin faɗaɗa zuwa manyan lokaci. Masu rikodin kamar Luciano Berio (a cikin Saƙon sa na XFLT: 1) sun rubuta sosai don wannan fasaha, suna buƙatar daidaitaccen sautin a cikin murya da kayan aiki.

Hanyar Sadarwa da Harshe

Flutter tonguing, inda harshe ke mirgine sauti "R" yayin busawa, yana haifar da tasirin bugun jini, wanda aka rubuta shi da "flt. " ko alamar tremolo a sama da bayanin kula. Gurguro yana haɗuwa da harshen flutter tare da murya mai sauti, yana samar da guttural, mai tayar da hankali. Wannan fasaha tana da alaƙa da mawaƙa na jazz kamar Louis Armstrong da masu kirkiro na jazz na kyauta, amma ya sami gida a cikin ayyukan gargajiya na zamani.

Slap tonguing, wanda aka karɓa daga fasaha ta iska ta itace, ya ƙunshi yin amfani da harshe don ƙirƙirar bugun jini wanda ke kwaikwayon sauti na ƙugiya na pizzicato.

Canje-canjen inji

Hanyar rabin bawul, wanda aka matsa bawul kawai a wani ɓangare, yana haifar da shiru, matsawa, ko "wah-wah" inganci. Ana iya amfani da wannan tasirin don jujjuyawar magana ko don ƙirƙirar sautin da ba shi da tabbas. Valve tremolo da sauri ya canza tsakanin haɗuwa biyu na bawul yana haifar da walƙiya, tasirin vibrato-kamar wanda yake da tasiri musamman a cikin hanyoyin da aka ci gaba.

Kayan maɓalli da maɓallin bawul, inda mai kunnawa ke kunna maɓallan ko bawul ba tare da busawa ba, suna haifar da sautunan bugun jini waɗanda aka yi amfani da su sosai a cikin ayyukan solo da ensemble na zamani.

Abubuwan da Suka Yi Fuskantar Hanyar da Kuma Shirye-shiryen

Aikin gargajiya na tagulla (daidai, kofin, Harmon, plunger) ya daɗe yana cikin kayan aikin mai kunnawa, musamman a cikin jazz da saitin mawaƙa. Aikin zamani ya faɗaɗa wannan kundin ta hanyar amfani da kayan da ba na al'ada ba.

Masu rikodin wani lokaci suna ƙayyade wani abu mai ban mamaki ko kuma su nemi mai kunnawa ya yi wasa da abubuwa da aka samo. Wannan buɗewa ga gwaji yana sanya mai yin wasan kwaikwayo a cikin rawar haɗin gwiwa, yana buƙatar ƙwarewar fasaha da ƙwarewar kirkira. Ga ɗalibai da ƙwararrun ƙwararru, gina tarin abubuwan gwaji da shirya zaɓuɓɓuka da yawa don yanki ɗaya ya zama dole.

Mai Sarrafa-Mai Sarrafawa Dynamic a cikin Ayyukan Brass na Yau

Tashin microtonal da kuma fadada dabaru ya canza dangantakar tsakanin mawaki da mai yin wasan kwaikwayo. A cikin samfurin karni na 19, mawaki ya ba da cikakkiyar ƙididdiga, kuma aikin mai yin wasan kwaikwayon shine ya aiwatar da shi da aminci. Aikin karafa na zamani yana buƙatar masu yin wasan kwaikwayon suyi aiki a matsayin masu haɗin gwiwa, suna yanke shawara game da yadda za a samar da sauti na musamman, wane kayan aiki za a yi amfani da shi, har ma da ko za a yi wasa a cikin wasu sigogi.

Wannan canji yana sanya fifiko ga sadarwa. Maƙawari waɗanda ke aiki sosai tare da tagulla galibi suna haɓaka dangantaka ta kusa da takamaiman 'yan wasa, suna koyon ƙarfin magana da iyakokin kayan aiki ta hanyar haɗin kai. Lokacin da rubutu ya zama ba a fahimta ba kamar yadda yake a lokuta da yawa don karkatar da microtonal ko fasahohi masu tsawo ƙwarewar mai kunnawa ya zama mafi ƙimar mai rikodin.

Ayyuka da kuma Magana

Yawancin abubuwan tarihi sun bayyana fagen kiɗan mawaƙa na zamani. Luciano Berio's Sequenza X (FLT: 0) don ƙaho (1984) ya kasance mizani don haɗakar da multiphonics, flutter tonguing, da kuma karkatar da microtonal a cikin tsarin kiɗa mai jituwa. John Cage's Atlas Eclipticalis (FLT: 3) (1961) ya yi amfani da zane-zane na taurari don ƙayyade abun ciki, wanda sau da yawa ya haifar da ƙirar microtonal wanda ya ƙalubalanci masu wasan mawaƙa su watsar da tsarin yanayin yanayin gargajiya.

Daga cikin mawaƙa masu rai, Georg Friedrich Haas ya bincika rubutun ƙarfe mai ƙarfe mai ƙarfe sosai, ta amfani da tsarin daidaitawa na murya huɗu don ƙirƙirar shimfiɗa, abubuwan haushi a cikin ayyuka kamar FLT:0 Limited Approximations (FLT: 1).

Koyarwa Mai Kyau don Fasaha ta Zamani

Haɗa microtones da fasahohi masu tsawo cikin aikin yau da kullun na mai kunnawa ba ya buƙatar barin ƙa'idodin gargajiya. Akasin haka, tushe mai ƙarfi a cikin samar da sautin al'ada, goyon bayan numfashi, da kuma sautin sauti shine ainihin abin da ke buƙatar nasarar binciken fasahohi masu ci gaba. Ka'idodin ilimin ilimi masu zuwa zasu iya taimaka wa 'yan wasa su sauya daga daidaitaccen kundin zuwa ayyukan zamani.

Yin Warm-Up da Kuma Yin Hadin Kai

Ya kamata a gabatar da fasahohi masu tsawo a hankali a cikin tsarin warming up. Fara da minti biyar na taƙaicewar ƙuƙwalwar ƙuƙwalwa a hankali taƙaice taƙaice taƙaice taƙaice taƙaice ta ƙarami ta ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙwalwar ƙuƙu.

Yin amfani da minti goma a rana don waɗannan motsa jiki zai gina kulawar tsoka da kuma fahimtar sauti da ake buƙata don yin waƙoƙi masu ƙalubale.

Koyar da Ƙaƙwalwar Ƙaƙwalwa don Yin Magana da Gaskiya

Ƙirƙirar ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙar

Kayan aikin software kamar Intonia ko Theoria suna ba wa 'yan wasa damar ganin yanayin da suke ji a cikin cents, suna ba da amsa nan take. Yin aiki da sikeli a cikin murya huɗu hawa da sauka a hankali yayin da ake bincika saurin da ke nuna gani hanya ce mai matukar tasiri don gina daidaito. Yawancin shirye-shiryen kiɗa na zamani yanzu suna ba da darussan koyar da kunne musamman da aka mai da hankali kan tazarar microtonal, kuma ana ƙarfafa' yan wasa su nemi waɗannan albarkatun.

Abubuwan da Za a Yi la'akari da Kayan Aiki

Duk da yake ana iya yin yawancin fasahohi masu tsawo a kan kayan aikin tagulla na yau da kullun, wasu gyare-gyare na iya sauƙaƙa aiwatar da su. Maganganun murya na kwata-kwata, waɗanda ke da ɗan daidaitaccen ƙugiya ko bututun gubar, suna ba ɗan wasan damar sauya cibiyar tsallewar kayan aikin gaba ɗaya, yana sa yatsunsu microtonal su zama masu daidaito. Wasu trombones suna sanye da "trigger" ko F-ƙulla wanda ke ba da ƙarin bututu, yana faɗaɗa zangon kayan aikin kuma yana ba da ƙarin zaɓuɓɓukan matsayi na slide don aikin microtonal.

Ga masu busa ƙaho, cornet tare da ɓarayi na makiyayi ko ƙaho mai juyawa na iya ba da tsarin saurin sauti fiye da ƙaho mai ƙwanƙwasawa na yau da kullun. Duk da haka, waɗannan kayan aiki ne na musamman, kuma an rubuta yawancin kundin zamani don daidaitaccen tsari.

Ƙarshen

Yin amfani da microtones da fasahohi masu tsawo a cikin kiɗan ƙarfe na zamani ba wani yanayi ne na wucewa ba amma fadada dindindin na ƙamus na kayan aiki. Waɗannan ayyukan suna bawa mawaƙa da masu yin waƙa damar bayyana yankunan motsin rai da sauti waɗanda ba a iya samun su ba, daga rashin kwanciyar hankali na karkatar da murya zuwa ƙarfin ƙwaƙwalwar ƙirar ƙirar ƙirar ƙirar ƙira. Ga mai kunna ƙarfe, shiga cikin wannan kundin yana buƙatar haƙuri, son sani, da son sake tunanin damar kayan aiki.

A lokaci guda, abubuwan da ke cikin kayan wasan kwaikwayo na karafa goyon bayan numfashi, daidaituwa na bakin, sauraro, da kuma kiɗa sun kasance dutsen tushe wanda aka gina dukkan fasahohin ci gaba. Mai kunnawa wanda ya mallaki duka gargajiya da kuma fadada ba kawai mai koyar da fannoni biyu ba ne amma mafi cikakken mawaƙa, mai iya ba da damar yin amfani da mafi yawan nau'ikan fasahar fasaha.

Yayin da kiɗa na zamani ke ci gaba da haɓaka, masu wasan rawa za su kasance a gaba na bidi'a, suna fassara ra'ayoyin mawaƙa mafi ban sha'awa zuwa sauti mai rai. Microtone da harshen flutter, rabin-valve bend da sung multiphonic waɗannan ba gimmicks ko motsa jiki na ilimi bane.