Haɗa Ingantawa a cikin Repertoire na Brass na gargajiya

Domin al'ummomi, horar da mawaƙa na gargajiya an kafa shi a cikin fiddaccen sake buga waƙar. Dalibai suna ciyar da awanni marasa adadi don kammala magana, sautin, da kuma sautin, suna ƙoƙari su fahimci niyyar mawaki daidai gwargwadon iko. Duk da haka, wannan al'adar daidaito ba ta bar wuri ga ɗayan abubuwan da suka fi ban sha'awa na kiɗa: kerawa ta kai tsaye. Ingantawa, ba wai kawai ga jazz ko al'adun gargajiya ba, yana da zurfin tushe a cikin kiɗa na gargajiya. Ta hanyar sakawa da haɓaka cikin kundin mawaƙa na gargajiya, masu kunnawa na zamani na zamani na iya buɗe wadataccen zane-zane, ƙarfafa halayensu na kiɗa, da kuma ƙirƙirar haɗin kai tsaye tare da masu sauraro. Wannan faɗaɗaccen jagorar ta zahiri yana bincika dalilin da yasa haɓaka ke da mahimmanci ga mawaƙa na gargajiya, yadda za a fara, da hanyoyin da za a haɗa shi cikin aikin mawaƙa na gargajiya da kuma wasan kwaikwayon.

Matsayin Tarihi na Ingantawa a Wakar Brass

Yawancin masu wasan karafa na gargajiya suna mamakin sanin cewa sake fasalin wani lokaci wani ɓangare ne na sana'ar mai yin wasan kwaikwayo. A lokacin Baroque da na gargajiya, mawaƙa kamar Johann Sebastian Bach, George Frideric Handel, da Wolfgang Amadeus Mozart suna tsammanin masu wasan kwaikwayo suyi ado da layi na waƙa, su yi kwalliya da cadenzas, har ma da ƙara sassan gaba ɗaya a wurin. Kayan karafa na lokacin, kamar ƙaho na halitta da cornetto, sun bukaci 'yan wasa su yi tafiya a cikin jerin harmonica tare da saurin kai da kirkire-kirkire. Wannan al'adar ta ci gaba har zuwa karni na 19; alal misali, shahararrun masu fure-fure kamar Anton Weidinger (wanda ya ba da umurni ga Haydn's Trumpet Concerto) sun yi alfahari da ikon su na yin ado da kuma yin kwalliya a cikin salon kayan.

Duk da haka, yayin da zamanin Romantic ya jaddada aminci ga waƙar da kuma tashin kwarewar ƙungiyar mawaƙa na ƙwararrun mawaƙa, wasan kwaikwayo ya ɓace daga horo na gargajiya. A cikin karni na 20, ya zama mafi yawa a kan cadenzas da mawallafa suka rubuta lokaci-lokaci. Duk da haka, bincike na zamani a cikin aikin wasan kwaikwayon tarihi ya ƙarfafa mawaƙa su dawo da wannan fasaha da aka rasa.

Me Ya Sa Za Ka Yi Kwarewa a Matsayin Mai Wasan Gasa?

Improvisation yana ba da amfanin da ya wuce kawai spontaneity. Ga masu wasa na lasifika, zai iya inganta muhimman fasahar kiɗa:

FLT:0]]Ganin zurfin jituwa: Lokacin da kake yin wasa, dole ne ka kula da ci gaban jituwa, fahimtar ayyukan sauti, da kuma tsammanin daidaitawa. Wannan yana haifar da matakin zurfin tunani wanda karatun waƙa kadai ba ya samarwa.
]Sharper Ear Training: Yin waƙa a kan tashi yana buƙatar ci gaba da saka idanu kan sautin, ganewa ta lokaci, da kuma fahimtar jituwa. Wannan horo na sauti yana inganta sautin kai tsaye da sauraron taro.
'Yanci na Bayyanawa: Improvisation yana ƙarfafa ku ku mallaki magana, motsin rai, da magana. Wannan amincewa galibi ana ɗaukarsa zuwa kiɗa da aka rubuta, yana sa fassarar ku ta zama mafi mahimmanci da na sirri.
Authenticity na tarihi: [1] [2] Yawancin mawaƙa suna tsammanin masu yin waƙoƙi su ƙara kayan ado, cadenzas, da bambance-bambance. Sake gabatar da haɓaka yana girmama yanayin haɗin gwiwar tarihin kiɗa.
Ƙara jin daɗi: Improvisation yana saka kayan wasa cikin aiki. Zai iya karya al'ada, rage damuwa game da wasan kwaikwayon ta hanyar mai da hankali kan lokacin, da sake farfado da farin ciki a cikin yin kiɗa.

Tarihi Game da Yin Gyara

Wasu 'yan wasan karafa na gargajiya suna tsoron cewa yin waƙoƙi ƙwarewa ce mai ƙwarewa da aka tanada wa masu fasaha na jazz. A gaskiya, yin waƙoƙi sana'a ce mai koyawa bisa ƙamus, ƙira, da kuma aiki da gangan. Ba kwa buƙatar cikakkiyar ƙira ko ƙwarewar da aka haifa don farawa. Kamar koyon yare, yin waƙoƙi yana farawa da kalmomi masu sauƙi kuma yana ƙaruwa ta hanyar maimaitawa da gwaji.

Gina Gida: Sikeli, Arpeggios, da kuma Koyar da Ji

Kafin su shiga cikin aikin kwantar da hankali, masu wasan kwaikwayo na gargajiya suna amfana daga ƙarfafa aikin fasaha da ka'idar su.

Maimakon kawai kunna sikeli sama da ƙasa, yi aiki da su yayin da kake tunani game da jituwa. Koyi babban, ƙaramin halitta, ƙaramin jituwa, ƙaramin waƙa, da yanayin diatonic (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian). Masu wasan jan ƙarfe, musamman a kan kayan aikin bawul, ya kamata su yi aiki da waɗannan a cikin makullin goma sha biyu don haɓaka agility.
Harshen harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na har
Ci gaba da ƙamus na ƙamus: FLT:1] Koyi wasu ƙirar haɓaka kamar jerin sautin sauti, ɓangarorin sikelin, ƙuƙwalwa (sauran maƙwabta), da ƙirar kusanci. 'Yan wasan jan ƙarfe na iya daidaita ƙirar daga mawaƙa kamar Bach (ƙawata) ko daga jazz na yau da kullun, amma koyaushe a canza su zuwa maɓallin da ke hannun.
FLT:0]]Active Ear Training: Yi aiki da waka, sannan ka kunna su a kan kayan aikinka. Kwafa sautunan sauti ko solo ta kunne daga rikodin mawaƙa na gargajiya da na jazz. Kwafa yana tilasta ka ka halicci magana, magana, da kuma ma'ana ta waƙa.
Yi amfani da Drone da Backing Tracks: Play tare da wani drone rubutu don jin yadda daban-daban sikelin digiri sauti da tushen. Sa'an nan kuma motsa zuwa biyu-chord vamps (misali, ii-V ko I-IV) ta amfani da wani piano app ko baya waƙa. Fara da sauki harmonic ci gaba daga misali jan ƙarfe repertoire, kamar cadential sassan wani Mozart concerto.

Ayyuka Masu Amfani a Kowace Rana

Aikin Ingantawa: Zaɓi sautin guda ɗaya kuma a canza tsawonsa, magana, da kuma ƙarfinsa a hankali yayin da yake riƙe da bugun jini. Wannan yana haɓaka ƙirar ƙira ba tare da matsin lamba ba.
Call-and-Response tare da Rikodi: Yi wasa da jimlar sanduna biyu, sannan nan da nan amsa tare da bambanci. Yi amfani da metronome ko waƙa ta baya don kiyaye lokaci.
FLT:0]]Melodic Embellishment: Ɗauki ɗan gajeren taken daga wani yanki na gargajiya (misali, buɗe Haydns Trumpet Concerto) kuma ƙara trills, juyawa, sautunan wucewa, ko canje-canje masu saurin canzawa ba tare da canza yanayin mahimmanci ba.

Haɗa Ingantawa a cikin Repertoire na gargajiya

Yawancin kayan kwalliya na gargajiya suna da takaddun shaida na halitta don ƙarawa mai haɓaka. mabuɗin shine girmama salo yayin da yake ba da damar kirkira na mutum. Ga wasu hanyoyi na musamman don yanayin da aka saba:

Ƙarƙashin ƙura

Mafi bayyananne wurin da ake yin wasa shine cadenza. Tarihi, masu yin wasan kwaikwayon sun kirkiro cadenzas bisa ga kayan jigon daga motsi. Don farawa, yi nazarin wasu cadenzas da aka rubuta don yanki ɗaya (misali, kwatanta waɗanda shahararrun masu busa ƙaho don Haydn ko Hummel concertos). Yi nazarin amfani da su na dalilai, arpeggios, da jerin abubuwa. Sannan tsara ɗan gajeren cadenza naka ta amfani da ginshiƙan gini iri ɗaya, a hankali yana tsawaita shi yayin da kake samun amincewa. Rikodi da sauraro mai mahimmanci

Ƙaƙwalwar Ƙaƙwalwa a Kan Maimaitawa

A cikin da capo arias, bayyanar sonata, ko minuet-trio siffofin da maimaitawa, zaku iya ƙara kayan ado masu ɗanɗano. Ku nemi wuraren da layin melodic ke daidaitawa; ƙara trill ko ɗan gajeren sikelin. Alal misali, a cikin waƙar ƙaho ta Mozart, ana iya yin maimaita jigon waƙa tare da sautin maƙwabta da sautin rhythmic. Saurari rikodin wasan kwaikwayon kayan aiki na zamani don jagora kan kayan ado masu dacewa a tarihi.

Bambancin Ayyukan Solo

Wasu kayan gargajiya suna kiran bambance-bambance a sarari, kamar solo tare da bambance-bambance kamar Carnival na Venice ko Böhme s Trumpet Concerto. Yayinda waɗannan galibi suke da bambance-bambance da aka rubuta, zaku iya ƙirƙirar naku ta hanyar canza sautin, jituwa, ko magana a cikin salon. Wata hanyar ita ce yin saurin yin saurin saurin kai kafin a fara aikin farko, yana kafa maɓalli da yanayi.

Yin Tattaunawa da Masu Tafiya

A lokacin da kake yin wa'azi tare da wani saurayi, ka yi tunanin lokacin da za ka iya yin magana da wani saurayi a tsakanin kayan aikinka da piano ko kuma ƙungiyar mawaƙa. Alal misali, a lokacin da kake yin wa'azi, za ka iya yin amfani da wasu kalmomi da aka yi wa wa wa'azi a wasu wurare.

Hanyoyin Ingantaccen Magana

Za a iya amfani da waɗannan fasaha kai tsaye zuwa ingantaccen kayan aiki don kula da daidaituwa ta salon:

FLT:0]]Gimar Motsi: Ɗauki gajeren dalili (misali, sautin uku) daga abun da ke ciki kuma haɓaka shi ta hanyar bi da bi, juyawa, haɓaka, ko ragewa. Wannan yana haifar da haɗin kai na jigo har ma a cikin abubuwan da ba su da kyau.
FlT:0 Chromatic Embellishments: Yi amfani da sautunan chromatic masu wucewa, maƙwabta masu ƙasa, ko sautunan tserewa don ƙara launi ga waƙoƙin diatonic. Ka riƙe da chromaticism a takaice kuma ka ƙuduri aniya don kauce wa ɓace daga salon.
Tsarin motsi: Improvisation ba kawai game da sautin ba ne kawai.
Rhythmic Displacement: [FLT: 1]] Fara wani nau'i na sauti a kan wani abu, ko canza kalmar ta hanyar bugun jini, don ƙirƙirar tashin hankali da saki. Wannan yana aiki sosai a lokacin sakewa.
Rijistar Shifts: FLT:1]] Tsallake tsakanin octaves ko high da low matsanancin your lasifikan kida. da halitta trumpet clarino rajista, misali, yana da m saman rangemodern bawul kida iya echo cewa haskakawa.

Ƙarfafawa ga Kowane Kayan Aikin Brass

Trumpet: FLT:1 Explore da haske, articulate yanayi na kayan aiki. yi aiki da sauri sikelin runs da kuma dual-tonguing alamu. Tarihi, trumpet improvisation sau da yawa ya shafi fanfare-kamar siffofi da scalar wurare a cikin babban rajista.

Horn: [1] Horn: [2] Horn: [3] Horn: [3] Horn: [3] Horn: [3] Horn: [3] Horn: [3] Horn: [3] Horn: [3] Horn: [3] Horn: [4] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [5] Horn: [6] Horn: [5] Horn: [6] Horn: [6] Horn: [6] Horn: [6]: [6] Horn: [6]: [6]: [6]: [6]: [6]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [7]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]: [8]:

Trombone: Flt:1 yana ba da damar glissandi da portamento, wanda za'a iya amfani da shi a hankali don tasirin magana. Improvisation na trombone sau da yawa yana ƙunsar tasirin smear, amma a cikin yanayin gargajiya, kiyaye su. Yi aiki akan haɗin legato da matsayi mai sauri.

Tuba: [1] Tuban mai zurfi na iya yin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin saurin sa

Ka Shawo Kan Tsoron Yin Abubuwan da Ba Su Da Kyau

Yawancin masu wasan rawa na gargajiya suna jin rauni idan aka nemi su yi wasa. Tsoron aƙƙarfan ƙwayoyi na iya gurgunta kerawa. Mataki na farko shine sake tsara kurakurai azaman gwaje-gwajen kiɗa. A cikin haɓaka, babu ƙwayoyin da ba daidai ba kawai abin mamaki waɗanda zasu iya haifar da ƙuduri ba zato ba tsammani. Fara ta hanyar haɓaka kadai, ba tare da masu sauraro ba, kuma saita saita lokaci na minti ɗaya akan madaidaicin ƙaho. Bari kanka ka kunna aƙƙarfan sauti don kawar da hankalin kanka. Sannu-sannu ƙara lokaci da rikitarwa.

Wata hanya ita ce ta yin amfani da structured randomness. Yanke shawara a gaba cewa za ku yi amfani da nuni uku kawai daga sikelin, ko kawai ƙididdigar kwata, ko kuma kawai ƙididdigar daga takamaiman kirtani. Wannan ƙuntatawa a zahiri yana sakin kerawa ta hanyar rage gurguwar zaɓi.

Ƙungiyoyin ƙungiyoyi na iya zama da sauƙi fiye da yin wasa da kai. Ka shiga cikin ƙananan ƙungiyar sauran masu wasan ƙira waɗanda suka yarda su yi wasa tare a kan ci gaba mai sauƙi. Hadin kai da goyon baya na juna na iya haɓaka amincewa da sauri fiye da aikin kadai.

Abubuwan da Za Ka Iya Amfana Daga Yin Ƙoƙarin Ƙarfafawa

Ƙarfafa ƙwarewar haɓaka yana buƙatar kasancewa a fili ga samfurori da kuma motsa jiki masu tsari.

Littattafai da Hanyoyi: Ka nemi taken kamar: FTL: 2 Tsarin Jazz na Jerry Coker, FTL: 4 Tsarin Jazz don Brass na Jim Snidero, ko FTL: 6 Improvisation for Classical Musicians na Bob Mintzer. Waɗannan littattafan suna ba da motsa jiki waɗanda ke haɗa fasahar gargajiya da fasahar haɓaka.
Kayan yanar gizo kamar FLT:2]] suna ba da darussan tsari ga masu wasan rawa. Tashoshin YouTube na masu fure na gargajiya kamar FLT:6]]Trumpet Guild galibi suna haɗa da warming ups na improvisation.
Tarihin Tarihi: Don ingantaccen tarihin tarihi, nazarin rubutun kamar Leopold Mozart's Versuch einer gründlichen Violinschule (wanda ya shafi kayan ado daidai da kayan kwalliya), ko Johann Joachim Quantz's On Playing the Flute (wanda aka fassara zuwa ka'idodin kayan kwalliya).
Saurari da kuma rubuta solo na masu gyara kayan kwalliya na tarihi kamar Maurice André (fassararsa na kayan kwalliya na gargajiya), ko masu fasaha na zamani kamar Lynton Marsalis, wanda ke haɗuwa da kayan kwalliya na gargajiya da jazz.
FLT:0]]Backing Tracks da Apps: Yi amfani da aikace-aikace kamar iReal Pro ko Band-in-a-Box don samar da waƙoƙin motsa jiki don ci gaban sauti na yau da kullun a cikin kundin gargajiya (misali, I-vi-ii-V-I).

Jerin Sauraro don Samfuran Ingantawa na Brass

Maurice André: [1] Sauraronsa na sonatas na Baroque tare da kayan ado masu kyau suna da ilimi.
Håkan Hardenberger: An san shi da ayyukan gargajiya na zamani waɗanda suka haɗa da sassan haɓaka.
Christian Lindberg: Trombone virtuoso wanda ya haɗa da haɓaka a cikin duka kiɗa na gargajiya da sabon.
Boston Brass ko Kanada Brass: Tsarin su galibi ya haɗa da ɓangarorin da aka yi wa kwalliya kuma yana nuna yadda aikin haɓaka ensemble zai iya aiki a cikin yanayin gargajiya.

Ƙarshen

Haɗa haɓaka cikin kundin kayan gargajiya na tagulla ba ya rabu da al'ada shi ne komawa ga tushen kirkirar aikin wasan kwaikwayon. Ta hanyar rungumar sikeli, arpeggios, horar da kunne, da kuma yanayin tarihi, masu wasan ƙira na iya haɓaka amincewa don ƙara kayan ado na kai tsaye, ƙirƙirar cadenzas na sirri, da numfasa sabon rai a cikin ayyukan da suka saba. Tafiya ta fara da ƙananan matakai: ado guda ɗaya a maimaitawa, gajeren cadenza a wani kide-kide, ko bambancin wasa yayin aiki. Yayin da kuke ci gaba, zaku ga cewa ingantaccen aiki yana haɓaka ƙwarewar kiɗa, yana zurfafa alaƙar kiɗa, kuma yana sake farfado da farin cikin wasa. Ko kai ɗalibi ne, malami, ko ƙwararre, lada na saka haɓaka cikin kayan aikin kiɗa na gargajiya suna da girma. Fara yau, ka yi haƙuri da ci gaba, kuma bari wannan kayan aikin ya sa muryarka ta zama ta musamman.

Haɗa Ingantawa a cikin Repertoire na Brass na gargajiya

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