Table of Contents

Me Ya Sa Za Ka Mai da Hankali ga Ƙungiyar Ƙungiyoyi a Matsakaici?

Masu wasan ƙaho na Faransa na tsakiya sun wuce abubuwan da ke cikin ƙaho, ƙirar yatsunsu, da samar da sautin sauti mai ɗorewa. A wannan matakin, repertoire ya zama babban abin da ke motsawa don inganta fasaha da zurfafa fahimtar kiɗa. Zaɓaɓɓun kayan da aka zaɓa suna tilasta muku shimfiɗa zangon ku, magana da kyau a cikin rijista, da kuma riƙe dogon jimloli tare da iko. Suna kuma gabatar da buƙatun salo Kimiyyar ladabi, Romantic lyricism, ko zamani angularitywanda ke buƙatar fassarar tunani. Ci gaban tushe mai ƙarfi na repertoire yanzu yana shirya ku don sauraron kwaleji, wuraren ƙungiyar mawaƙa ta matasa, da wasan kwaikwayo na waƙa. Mafi mahimmanci, yana gina amincewa kuma yana kiyaye aikin ku mai ma'ana da lada.

Bayan ci gaban fasaha, bincika abubuwa daban-daban yana horar da kunnenka don sautin sauti kuma yana inganta ikon haɗuwa da sauran kayan aiki. Yawancin 'yan wasan tsakiya suna daidaitawa saboda sun dogara da littafi guda ɗaya ko kuma ba sa yin ƙoƙari fiye da aikin hanya. Repertoire ya karya wannan sake zagayowar ta hanyar gabatar da ƙalubalen kiɗa na gaske a cikin mahallin. Kuna koyon warware matsaloli a kan tashi daidaita motsin rai a tsakiyar magana, sarrafa numfashi a cikin dogon tsari, ko yin shawarwari kan tsalle-tsallewanda ke canzawa kai tsaye zuwa wasan kwaikwayo.

Maɓalli na Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓallin Maɓ

Jerin da ke ƙasa ya ƙunshi ayyukan solo, etudes, da kuma rubutun ƙungiyar mawaƙa waɗanda ke bayyana akai-akai a cikin shirye-shiryen karatun da kuma sauraro na tsakiya. Kowane yanki yana nufin ƙwarewa na musamman yayin da yake kasancewa mai sauƙi don sarrafawa tare da aiki mai ɗorewa. Yi amfani da waɗannan a matsayin farawa, sannan ka cika su da shawarwarin malami dangane da ƙarfinka da yankunan ci gaba.

Wasanni na Solo da na Waƙar

Wannan haske, Viennese-style concertino ne mai fi so ga bunkasa agility da lyrical wasa. Na farko motsi yana dauke da gudana takwas-nuffãni runs cewa gwajin yatsa jituwa da legato, yayin da jinkirin tsakiyar sashe bukatar dumi, raira waƙa sautin fadin tsakiyar da kuma saman registers. Tsakanin 'yan wasa sau da yawa sami Doppler ta harmonical harshe m, wanda ya sa ya fi sauƙi a mayar da hankali a kan phrasing da Brain m bambanci.

Flatts na Saint-Saëns don ƙaho da piano wani kyakkyawan nazari ne na sarrafa sauti da sautin kiɗa. Flatts ya kasance mafi yawa a cikin rijistar tsakiya, saboda haka yana da kyau don gina daidaituwa, mai hankali ba tare da damuwa da ƙarancin ƙarancin ƙarancin ba. Fassara dole ne ya kasance mai tsawo da madaidaiciya, tare da laushi mai laushi mai laushi.

Flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-flat-on-on-flat-on-on-flat-on-on-flat-on-on-flat

A asali don oboe, Schumann's Romance (Op. 94 No. 2) ya zama misali ga ɗaliban ƙaho. Sautin sa mai sauƙi, mai kama da na mutane ya ƙi buƙatar ma'auni, mai sauƙi mai sauƙi, da cikakken iko da kai hari. Kowane bayanin kula ya kamata ya ji kamar an juya shi daga madaidaicin zaren. Masu farawa galibi suna yin karin haske a saman jimloli; maimakon haka, suna nufin taper mai taƙaitawa a ƙarshen jimloli. Tsakanin suna da faɗi amma za a iya sarrafawa, don haka wannan kayan aikin yana da kyau don yin aiki mai santsi a duk faɗin zangon. Malamai da yawa suna amfani da shi don gabatar da manufar sing ta hanyar ƙaho.

Flat-Horn Concerto No. 2 na Richard Strauss (ƙaddamar da sassan) Flat-Horn Concerto na biyu yana da matukar buƙata har ma ga masu sana'a, amma zaɓaɓɓun matakai sun dace da masu kunnawa masu ƙarfi. Mai da hankali kan jigon buɗewa, ci gaban waƙa a cikin motsi na farko, da kuma kiran farautar zagaye na ƙarshe. Waɗannan sassan suna ƙalubalanci jimiri, zangon (har zuwa babban C), da daidaito na rhythmic. Suna kuma gabatar da salon kida wanda yawancin masu kunna ƙaho zasu haɗu da su a cikin saitunan ƙwararru. Yi amfani da metronome don kulle cikin sautin da aka yi da sautin sautin goma sha shida, da kuma yin aiki da haɗin kai tare da harshen haske, spit-free.

Nazarin da Bincike na Fasaha

Franz Kopprasch Etudes (Littafi na 2) Littafin na biyu na Kopprasch shine al'adar wucewa ga 'yan wasa masu matsakaici. Waɗannan karatun sittin suna nufin sassauƙa na lebe, daidaito na lokaci, da kuma jimiri na rikodin. Kowane motsa jiki yana keɓe takamaiman batun fasaha tsalle-tsalle, saurin sikelin, maimaita bayanan rubutukuma yana tilasta muku warware shi ta hanyar inji. A nan aikin jinkiri tare da metronome yana da mahimmanci; tsayayya da buƙatar hanzarta kafin lokacin ya kasance lafiya. Haɗa kowane karatun tare da dogon sautin warming don hana ƙofar daga gajiya da wuri. Kyakkyawan dabara: aiki a kan ɗayan karatun kowace rana, yin keke ta hanyar littafi tsawon watanni biyu.

Koenig yana da mahimmanci ga tsarin magana da daidaitawa a cikin rajista. Suna jaddada kai hari na staccato da marcato, suna buƙatar ƙayyadaddun harshe mai tsabta wanda ba ya sabawa ingancin sautin. Yawancin motsa jiki suna motsawa ta hanyar canje-canje masu saurin gaske, suna koya muku don tallafawa kai hari mai ƙarfi ba tare da busawa ba. Koenig kuma yana amfani da sautin da aka daidaita wanda ke taimakawa wajen haɓaka ƙananan raƙuman sautin. Waɗannan sautin suna aiki da kyau azaman warming na fasaha bayan sautin dogon lokaci da rashin sautin farko.

Gudanar da rubutun Weber yana da mahimmanci ga karatun rubutu da kuma kula da numfashi. Ba kamar bukatun fasaha mai tsanani na Kopprasch ba, rubutun Weber yana da sauti kuma galibi yana da jinkiri, amma yana da wuyar rikici. Fassarar da aka faɗaɗa suna buƙatar ingantaccen goyon bayan numfashi da kuma sakin iska mai sarrafawa. Yi amfani da waɗannan tare da jirgin sama don bincika sautin a kan bayanan da aka riƙe, kuma alama numfashin strategically don kada ku karya layin kiɗa. Weber kuma ya haɗa da wasu kayan ado turns, trills, da mordentswanda zasu inganta saurin yatsunku da daidaitawa da harshe.

Wannan tarin yana ba da ƙalubalen fasaha da yawa ciki har da saurin gudu, tsalle-tsalle mai nisa, da ƙirar haɗin gwiwa. Ana ƙaddamar da karatun Alphonse a cikin wahala, don haka zaka iya farawa da waɗanda suka fi sauƙi kuma a hankali ka ci gaba. Suna da kyau musamman don haɓaka jimiri saboda galibi suna sanya dogon sashi a cikin matsakaiciyar ajiya. Mai da hankali kan kula da shimfida kafadu da daidaitaccen iska ko da lokacin da kiɗa ya zama mai ƙarfi. Yawancin malamai suna ba da shawarar Alphonse ga ɗaliban kwaleji da ke shirya don sauraro saboda karatun suna kwaikwayon bukatun daidaitaccen kundin waƙoƙin.

Fitowa Daga Wakar Waƙar

Sanin abubuwan da ke cikin ƙungiyar mawaƙa yana da mahimmanci ga masu kida masu ƙwallon ƙafa waɗanda ke neman sana'a ko ci gaba da karatu. Ko da masu matsakaici ya kamata su fara koyon abubuwan da suka fi dacewa da wuri, saboda suna ƙarfafa fahimtar ƙungiyar da kuma daidaitaccen salo.

] Beethoven Symphony No. 3 (Eroica), 1st Movement Rashin ƙaho a cikin Eroica yana da jarumi da kuma lyrical. Shahararren solo da aka fallasa a cikin ci gaba yana buƙatar dumi, amincewa da sauti da ƙira mai kyau, musamman a kan arpeggio mai hawa. Masu kunnawa na tsakiya dole ne su daidaita buƙatar sake dubawa (don yanke ta cikin ƙungiyar mawaƙa) tare da jin daɗi (don haɗuwa lokacin da abun da ke ciki ya ƙura. Yi aiki da solo tare da rage ƙirar piano don kwaikwayon yanayin mawaƙa. Yi amfani da tuner don tsalle-tsalle masu faɗi, kuma mai da hankali kan daidaitaccen vibrato wanda ba ya ɓata sautin.

]Mozart Symphony No. 40, 4th Movement Wannan motsi yana gwada saurin aiki da daidaito na rhythmic. Sashin ƙaho yana cike da sautin takwas da canje-canje na gaggawa. Salon Mozart yana buƙatar tsabta, haske mai magana da harshen think pizzicato da kuma tsananin bin ƙarfin da aka nuna. Yi aiki da matakai tare da metronome saita zuwa ga al'ada, amma fara a hankali fiye da yadda kuke tsammani ya zama dole. Kula da wuraren numfashi: yawancin masu kunnawa na tsakiya sun ƙare da iska saboda ba su shirya inda za su numfashi ba.

Brahms Symphony No. 2, 1st Movement (FLT: 1) Brahms ya rubuta wa ƙaho tare da faɗaɗa, layin waƙa wanda ke buƙatar madaidaicin legato da iko mai ƙarfi. Shahararren ƙaho mai buɗewa yana ɗaya daga cikin mafi kyau a cikin kundin, amma kuma yana da ban mamaki da wahala. Yana buƙatar zurfin, murya mai dumi wanda ba ya motsawa a cikin babban rajista. Masu kunnawa na tsakiya galibi suna busawa a nan; maimakon haka, yi aiki tare da ƙarfin piano kuma a hankali ƙara zuwa ƙarfi mai ƙarfi, tabbatar da cewa sautin ya kasance mai ci gaba.

Saint-Saëns Organ Symphony, 3rd Movement Wannan motsi yana buƙatar sarrafa manyan da ƙananan rajista. Sashe na ƙahon ya haɗa da solo mai hawa a cikin babban ƙirar da ke biyowa ta hanyar ƙarancin ƙira. Dole ne jujjuyawar rajista ta kasance mai sauƙi, ba tare da fasawa a cikin sauti ba. Yi amfani da buzzing da labbobin lebe don shirya don sauye-sauye. Hakanan, motsi yana da rikitarwa, tare da siffofi masu rikitarwa da shigarwa. Yi aiki tare da metronome kuma raba su a hankali. Wannan ɓangaren yana da kyau sosai don gina zangon da jimiri a lokaci guda.

Ka Yi Koyarwa da Ta Dace

Don sarrafa kundin matsakaici yana buƙatar fiye da wasa ta hanyar kayan aiki. Tsarin tsari yana tabbatar da ci gaba mai kyau yayin hana ƙonawa ko ƙwanƙwasa. Fara kowane taron motsa jiki da mintuna 1015 na dogon sautuna, ƙyama, da motsa jiki na sassauƙa lebe (Kopprasch yana da kyau a wannan). Sannan sadaukar da mintuna 20 ga wani karatun da ke niyya ga wani rauni na musamman (ranging, magana, ko jimiri). Sa'an nan kuma, ciyar da mintuna 2530 a kan wani yanki na solo, aiki a kan magana, motsin rai, da fasahar fasaha. Ƙarshe tare da mintuna 1015 a kan wani rubutun mawaƙa, mai da hankali kan salo da intonation a mahallin. Rubuta kanka mako-mako don bin diddigin ci gaba da gano matsalolin da suka ci gaba.

Yi amfani da kayan aikinka a cikin wata daya. Alal misali, mako ɗaya zai iya jaddada karatun waƙa (Weber) da solo mai jinkiri (Saint-Saëns Nocturne); mako na biyu ya canza zuwa karatun fasaha (Kopprasch) da kuma ɗan gajeren lokaci (Mozart); mako na uku ya haɗu da duka; kuma mako na huɗu ya ƙarfafa komai a cikin saitin karatun kwaikwayo. Wannan motsa jiki yana sa aikinku ya kasance sabo kuma yana haɓaka fannoni da yawa na wasan kwaikwayo a lokaci guda.

Kada ku manta da sauraro. Nemo rikodin ƙwararru na kowane yanki da kuke nazarin masu fasaha kamar Radovan Vlatković (FLT: 1) ko (FLT: 2) Dennis Brain (duk da cewa rikodin Brain ya kasance na tarihi). Hakanan bincika ƙididdiga akan IMSLP (FLT: 5) don ganin cikakken mahallin da kuma nazarin sauran sassan kayan aiki don yin magana da ra'ayoyi.

Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙ

Yayin da kake faɗaɗa kundin kiɗa, ka lura da waɗannan abubuwan da ke sa ka tuntuɓe. Flowing Overblowing [[FLT:]] a ƙoƙarin cimma babban sauti: maimakon haka, mai da hankali kan shakatawa, iska mai goyan baya. [[FLT:]]Shin watsi da ƙananan rajista [[FLT:]]: yawancin masu matsakaici suna yin aiki ne kawai don yin sautin mai ƙarfi; aiki a kan ƙananan sautin don gina cikakken sautin, har ma a cikin duka zangon. [[FLT:]] Ignoring dynamics [[FLT:]]: yawancin abubuwan da ke tsakanin suna da takamaiman alamun aiki; yi aiki a ƙayyadaddun (ppp da fff) don samun iko. [[FLT:]]Rushing [[FLT:]]: koyaushe a hankali a yi amfani da sabon sautin kafin a hanzarta. [[FLT:]]:8 Don haka ba numfashi ba: numfashin farko a cikin kiɗa, kuma kada ku ji tsoron daidaita su yayin da kuke shirin tsara su.

Ƙari ga haka, ka guji tarkon yin wasa da kayan da ke da kyau. Ƙaruwa tana faruwa idan ka magance kayan da ke tilasta ka fita daga yankin jin daɗin kako hakan yana nufin ƙwarewar rubutu, sautin da ya fi rikitarwa, ko maɓallan da ba a saba da su ba. Ka amince da jagorar malaminka kuma ka yi haƙuri da tsarin koyo.

Ƙarin albarkatun ci gaba da ci gaba

Bayan ka karanta waɗannan darussan, ka yi amfani da waɗannan darussan don ka ƙara koyo:

  • FLT:0]]Littafin Hanyar: FLT:1]] The Art of French Horn Playing (French Horn Playing) na Philip Farkas ya kasance ma'adinai na zinariya don fasaha da haɓaka sautin. Wani kyakkyawan kayan aiki shine FLT:4: Jagora ga Dalibai da Malamai na Michael Höltzel.
  • FLT:0]]Bidiyo da Koyawa na kan layi: [1] Tashoshi kamar [[FLT: 2]]Horn Matters [2] suna ba da darussan kyauta akan rubutun da kuma karatun.
  • FLT:0]] Ƙungiyoyin gida da na kamala: Shiga ƙungiyar mawaƙa ta gari, ƙungiyar iska, ko ƙungiyar ɗakin don amfani da ƙwarewar ku a cikin yanayin kiɗa na gaske. Yin wasa tare da wasu yana inganta sauraro, sautin sauti, da amincewa.
  • A cikin wannan yanayin, ɗalibai suna da damar yin amfani da kayan aiki na musamman don yin amfani da su.
  • Ayyukan bita na bazara: [1] Yawancin shirye-shirye suna ba da darussan ƙwarewa da kuma ayyukan horn inda zaku iya aiki sosai akan kundin waƙoƙi tare da kwararrun likitoci.

Ta hanyar haɗa waɗannan abubuwan da dole ne ku sani da kuma dabarun cikin aikinku, za ku gina tushe mai ƙarfi na fasaha da na kiɗa wanda zai buɗe ƙofar zuwa ci gaba da karatu da kuma wasan kwaikwayo mai kyau.